6/9/2023 0 Comments Mtd michael tobias design 435By using different woods for body and neck, I am able to offer a wide variety of speaking voices and tonal capabilities. By experimenting with different types and combinations of wood, I seek to get the best possible tone from an instrument. Throughout my career, I have tried to apply this principal to everything I build. If an instrument sounds weak acoustically, adding pick-ups will just amplify its shortcomings. The most important thing I learned is that, no matter what the instrument is, it is first and foremost acoustic. I worked on a great variety of instruments including Martin, Gibson, Fender, Kohno, Ramierez, banjos and mandolins, harp guitars, and even a few sitars.Īfter leaving Tobias Guitars at the end of 1992 and fulfilling my contractual obligations for consulting and non-competition with Tobias, I started building MTD (Michael Tobias Design) instruments at the beginning of 1994. Most of my early work was on acoustic instruments. I started in Washington, D.C., working in The Guitar Shop and doing repairs for a time, to learn about other luthiers' instruments and construction methods. I am Michael Tobias, and I have been building instruments since 1974.
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